Signal Loss looks at Belfast through its thresholds: underpasses, wasteground, fenced‑off corners and the sharp light that cuts between them. It is a study of a city shifting, where the future arrives in fragments and the past refuses to clear. Photographed on pushed Delta 400, the work captures the raw geometry of a place caught between states.
The images sit only on the right‑hand pages to create a slow, deliberate rhythm. Shot on a Chinon CS and developed in Rodinal, the visual language is high‑contrast, abrasive and direct. Printed on heavy 170gsm stock with a 250gsm cover, the booklet has a solid, tactile feel closer to a photobook than a zine.
21 black and white photographs. Softcover. First edition of 40 copies. Each copy signed and numbered by the artist.
Signal Loss looks at Belfast through its thresholds: underpasses, wasteground, fenced‑off corners and the sharp light that cuts between them. It is a study of a city shifting, where the future arrives in fragments and the past refuses to clear. Photographed on pushed Delta 400, the work captures the raw geometry of a place caught between states.
The images sit only on the right‑hand pages to create a slow, deliberate rhythm. Shot on a Chinon CS and developed in Rodinal, the visual language is high‑contrast, abrasive and direct. Printed on heavy 170gsm stock with a 250gsm cover, the booklet has a solid, tactile feel closer to a photobook than a zine.
21 black and white photographs. Softcover. First edition of 40 copies. Each copy signed and numbered by the artist.